Tuesday, May 28, 2013

The Science behind Art of Color

The Science of Art:
Ever wondered what’s common about Filippo Brunelleschi, Jan van Eyck, Leonardo Da Vinci, Monet and Picasso. Yes, they are all very famous artist well known in art history .They are also few of the greatest artist inventors and scientist. For most artist art is a continuous quest. Many artists, designers, and architects think like inventors. As they create, they may explore beyond what is known or obvious, push against barriers, change or discard conventions, or break into new territory.

As an Artist, an Art Teacher and a constant student of Art I believe it’s important to know and the science behind art.
These are some common phrases you will hear often if you are learning to create art.
“There are no rights or wrongs in art.”
“The most important thing about learning to draw an object or person is to learn to observe.”
“The more you practice, the better you get.”
“If you want to break a law, get to know the law first.”
“Art is a constant learning process”
“To make a work of art right or wrong you have to get started first.”

I have to agree with these phrases.I am not sure who said them first and yet I find myself repeating these phrases to my students a lot. The concept of teaching science behind art might be overwhelming for some in a full fledged classroom. Limitations such as restricted time might seem challenging I still think it is a possibility worth exploring. With careful lesson planning, effective time management and  dividing your lesson plan into multiple sessions  can help overcome this challenge .




So what is that Science I have been talking about?
There are so many subjects to explore. At this point I will take one subject at a time.
The first one I want to explore is subject of color and pigment and science behind it.



Color: Imagine living in a world without color .What fun would it be to create an art work in just black and white or grays and for how long? Colors help bring beauty to or art and our world.
What is color?
Color is a pigment used in painting. It is the light that comes from the objects. Color is the visual perception which categorizes our ability to see things in various tones, hues of red, blue, yellow, green and others. Color derives from the spectrum of light (distribution of light power versus wavelength) interacting in the eye with the spectral sensitivities of the light receptors.


How about two experiments which help us understand color better?

More to do with science: Make A Rainbow!
Material required: 1. Mirror
                                 2. Jar of water
                                 3. Modeling clay 
                                 4. Bright Flash light
                                 5. Shallow dish
                                 6. White card
You can see rainbow without having to wait for rain.
1.    Pour the water into shallow dish until its half full.
2.    Put mirror in the water and put it in sloping position with help of clay.
3.    Shine the flashlight on the part of mirror that is under water.
4.    Hold the card above the dish.
A rainbow appears on the card. See how many different colors are there. (You may have to move flashlight and card before you can see the rainbow.)
As the white light from the flashlight enters and leaves the water, it splits up into bands of color.


Pigment:  Pigment is a substance which is used with a binder or water to create a wide variety of colored expressions in all non-digital art mediums.

What is pigment where does it come from? :  A pigment is a material that changes the color of reflected or transmitted light as the result of wavelength-selective absorption. ? In simple words: We see colored objects in their distinct color pigments because that particular object is absorbing all other colors of spectrum and reflecting only that particular color.

Naturally occurring pigments such as ocher and iron oxides have been used as colorants since prehistoric times.  The Industrial and Scientific Revolutions lead to a huge expansion in the range of synthetic pigments, pigments that are manufactured or refined from naturally occurring materials, available both for manufacturing and artistic expression.


Some fun Facts about Pigments: Fun Facts:
1.        Pigments based on minerals and clay often bore the name of the city or region where they were mined. Raw Sienna and Burnt Sienna came from Siena, Italy, while Raw Umber and Burnt Umber came from Umbria. These pigments were among the easiest to synthesize, and chemists created modern colors based on the originals that were more consistent than colors mined from the original ore bodies. But the place names remained.
2.        Indian Yellow was once produced by collecting the urine of cattle that had been fed only mango leaves.
3.        Ultramarine, originally the semi-precious stone lapis lazuli, has been replaced by an inexpensive modern synthetic pigment, French Ultramarine, manufactured from aluminum silicate with sulfur impurities.
4.        Vermilion, a toxic mercury compound favored for its deep red-orange color by old master painters such as Titian, has been replaced in painters' palettes by various modern pigments, including cadmium reds.
5.        Fluorescence is the emission of light by a substance that has absorbed light or other electromagnetic radiation. It is a form of luminescence. To make things fluorescent a special chemical is added to the ink called an optical dye. The optical makes normally invisible elements of the color such as ultra-violet visible.


Experimenting with color using with art and science:
Print pretty patterns
Material required:       1. Palette
                                  2. linseed oil
                                  3. Thick paper
                                  4. Dish of water
                                  5. Water color/tempera /poster paints
                                  6. Paint brush
The colors transfer to the paper in the same way that they do when color pictures are printed in books.
1. Put some paints on the palette.
2. Mix a little linseed oil with each color.
3. Put one color from the palette on the brush and gently add the paint to the water.
4. Add another color. Swirl the colors to make a pattern.
5. Gently lay a sheet of paper on the water, so that it lies on the surface.
6. Carefully peel the paper away from the water. Lift it out and lay on a flat surface.
7. Let the paper dry . Try printing with more patterns with other colors.
The colored oil does not mix with water ,so it transfers to the paper.


I hope you had some fun with art while exploring science.
Some other projects which work well are shaving cream art and tissue paper collages. These are some fun ways to further explore the art and science behind colors.
Please as usual leave your comments .I will appreciate all feedback.


  







Friday, February 15, 2013

Brilliant colors in acrylic art

I often have people come up to me and say "love the brilliant colors how do you get them so bright ?" "Is there a special kind of brand you use ?".I bet some of them go "Ugh! Too bright ."
I love my colors bright and I follow few simple rules .
When picking or choosing colors I make sure that the pigments are pure . Most colors in some student quality acrylic paints and almost all artist quality paints come in variety of shades,tones and tints.

The trick is start with a  basic hue of a color say I wanted to draw a dark pink skirt .I would start with coloring the whole space in crimson red and add several layers o different  shades and hues.I mostly try to stay away from colors with grayish tones.That means muddy looking colors.(By the way tones are created by adding grey to a color and that's where the  ultimate brilliance of your color exists .)So one way of getting bright pictures is to staying as close to original hue as possible.

Second thing that might be helpful to some is when mixing blue to darken the shadows and shades
(As we all know especially while mixing water colors and oils  not to use black to created shades of a color till the very end of nearing the end of art work) always stick to Prussian blue especially for acrylic.Aquamarine blue ,Ultramarine,cobalt blue are great colors on there own .However the results can be undesirable if the purpose is to get depth and perspective as they might produce a murky looking color.


Third thing is "Have a little patience "as all seasoned artist know some times its best to wait till the paint dries.If you keep applying layers of paint  without letting it drying its very likely to mix with paint underneath giving one flat tone.


Another way of creating bright colors is putting two or more hues o similar colors and meeting them with clean colorless brush.


This is all I have for now .Let me know if these tips or techniques work or you.